The DFA was established in 2007 to promote and protect the interests of doc filmmakers in South Africa. To contact the DFA, please use the contact form: here . The DFA website is at: www.docfilmsa.com Membership applications can be made through the website here.

09 December 2010

An Opportunity for Black Filmmakers and Other Colours, too

I'm not sure where this message originated, but here it is:

Dear Filmmaker,

I recently met Michiel Berkel at a reception of NBF (the Dutch Filmmakers Union). Michiel Berkel mainly lives and works from Cape Town, South Africa and has an office in the Netherlands. In South Africa he is the owner of a six screen independent cinema as well as a film & TV distribution company: “Comart Films”

Michiel is a freelance buying consultant for a number of African Pay and Free TV channels, specializing in black cast films, either shot and produced in Africa or by black urban filmmakers in the Diaspora.

Michiel is permanently seeking Africa related documentaries and black cast drama productions and feature films with a minimum length of at least 40 minutes. He finds that many filmmakers also in the Diaspora do not have had their content shown on African TV

Here’s a chance to dust off your work – not older than ten years please – or present your latest feature and submit it for the African channels’ consideration. Michiel acts as a middle-man and will introduce your work to his vast network of the people who are in charge of the TV acquisition process.

If you have rights of content which may be of interest to African TV, please contact Michiel directly through his email address: michiel@comartfilms.com

African Cinema and Audio Visual Fund

Press Release
Ref. : CP/COM/AB/33/10

Tunis, 28th October 2010

On the sidelines of the Carthage Film Festival

A new step towards the creation of the African cinema and audiovisual Fund

The Tunisian Producers’ Union Chamber, the International Organisation of la Francophonie (IOF) and the Federation of African Filmmakers (FEPACI) presented the results of a study on the feasibility and the method of implementation of an African cinema and audiovisual Fund at the 23rd Carthage Film Festival.

IOF organised a press conference on 28 October 2010 at the 23rd Carthage Film Festival (23 to 30 October 2010) on the feasibility and method of implementation of an African cinema and audiovisual Fund, known temporarily as “cineA”.

This press conference follows the joint announcement by IOF and FEPACI at the World Cinema Pavillion at the last Cannes Film Festival, of their plan to set up a new instrument for the promotion and funding of African cinema and audiovisual production. At the time, IOF agreed to respond to FEPACI’s request by contributing its acknowledged expertise in defining projects of this kind and by financing a feasibility study.

By supporting this ambitious African initiative, IOF continues to fulfil its constantly asserted objective of providing concrete responses to African professionals’ regular requests to boost cinema production capacity in Africa and in the long term to establish an African policy for the development of the cinema and audiovisual arts. In this way, IOF will help fulfil one of the African Union’s key recommendations which asserts Africa’s legitimate desire to acquire the means for its own cinematographic expression and which highlights the need to manage these resources by focusing on inter-African complementarity and cooperation.

This new structure could mark a turning point in aid to cinema in the South. Indeed, its objective is to mobilize a large-scale public private partnership that would unite efforts so that cinematographic creation meets the needs and aspirations of the African public. The Fund’s objective is to offer close to one billion Africans the means to reclaim their histories, consolidate their identity and share their visions with the rest of the world.

During the press conference, Mr. Frédéric Bouilleux, IOF’s Director of French Language and Cultural and Linguistic Diversity, highlighted the reasons why IOF responded enthusiastically to FEPACI’s request for assistance in setting up this scheme. IOF has 22 years experience of managing the Francophone Fund for audiovisual production in the South, which has enabled the production of over one thousand films since its creation. Over half IOF’s members are African countries and it is one of the main organisations capable of uniting momentum around this innovative project which is already supported by many countries and professional groups.

The presentation of the main findings of the feasibility study for this new Fund, which was carried out by Media consulting group, was followed by a productive exchange between professionals. Several operational proposals were made. As well as the festival guests, the conference was attended by the Chairman of FEPACI, Mr Charles Mensah, the Vice President of the Tunisian Producers’ Union Chamber, the Chairman of the African Guild of Directors and Producers living in France, the Director of South Africa’s National Film and Video Foundation, the Director of the African Film Festival of New York, as well as the directors of the National Cinematography Centres of Gabon and Egypt, the Moroccan Ministry of Culture’s Regional Director for Grand Casablanca, the Chairman of the Algerian Producers’ Union, and a representative from Canal Horizon. The African, Caribbean and Pacific Group of States (ACP) has already pledged its support for this initiative.

Over the next few weeks, IOF will work hard at encouraging cooperation, uniting partners around this scheme and finalising the Fund’s governance structure with its partners. The governance structure must be strong, have sufficient resources and be able to ensure impartial choices, transparency and the Fund’s durability.

The 22nd edition of the Panafrican Film and Television Festival of Ouagadougou (FESPACO), which will be held from 25 February to 5 March 2011 could serve as a venue for the presentation of the Fund’s virtually definitive profile, notably its first partners, the schedule for its creation, its management and governance structures, and its operating rules.

This IOF activity coincides with the organisation’s 40th anniversary and confirms its commitment to serving diversity and solidarity in a world where individual cultural expression is sometimes threatened.

The International Organisation of La Francophonie has 56 member States and governments and 19 observers. www.francophonie.org

Contact:
Department for French Language and Cultural and Linguistic Diversity
Mrs Souad Houssein, Cinema Project Manager
Tel. : (+33) 1 44 37 33 20 - souad.houssein@francophonie.org

PRESS CONTACTAnissa Barrak, Communication Director, Commissioner for IOF’s 40th anniversary anissa.barrak@francophonie.org - (+33) 1 44 37 33 65

The additional document on funding information and requirements will be sent to DFA members only.

DFA Jumble Sale

The Jumble Sale is an initiative by DFA member, Carlos Francisco, that we hope you will all be happy to be a part of. Anyone may purchase films via the Jumble Sale, but only DFA members are allowed to sell their films through the Jumble Sale. See below:

The DFA presents our members with the opportunity to exchange their Documentary work between one another. We have initiated the DFA Jumble Sale, a platform to sell and buy each other's documentaries in bulk and at a very reasonable price. It hopes to encourage an experience of professional self distribution, stimulate the buying of local independent films and it will also allow us to apply what we learn from this toward our DFA online documentary store in the future.


A website has been developed to showcase a collection of the best DFA members have to offer. The opportunity is open to all DFA members. Members who have works over 45 minutes and feel confident in their product being viable for DVD distribution.


Requirements for submitting are:


Declared ownership of your film and the right to sell it publicly.

At least 10 x copies of each eligible film. Professionally packaged i.e. DVD box, sleeve and printed DVD.

The completed submission form

Jpeg of the DVD front cover graphic.


The contact details and further information is available to DFA members only.

Cape Film Commission and DFA attend IDFA

Below is Jacky Lourens' report of the CFC / DFA trip to IDFA in November 2010:

FILM TRADE TO GLOBAL MARKETS REPORT

IDFA (International Documentary Festival Amsterdam) – November 2010

What is IDFA

IDFA is the biggest documentary film festival in the world and the sixth biggest film festival with a market (docs for sale) and a forum attached (they pioneered the forum). This year there were an estimated 180,000 tickets sold for the screenings on 13 screens over 11 days. IDFA is one of the only documentary film festival that accepts 1 hour (broadcast hour) films for the competition. IDFA mainly caters for artistic and human cultural type films and is considered non-commercial.


Docs for Sale is a market where potential buyers can view films accepted into the catalogue either in a viewing station where they book slots or online. These comprise of distributors and sales agents, as well as broadcasters and film festivals. It is really important to be there in person as the first day starts off with everyone hussling to get their posters up in the best position and lots of networking goes on, both coincidental and set up by the Docs for Sale team.


The FORUM is IDFA's international co-financing market for documentaries and Europe's largest gathering of filmmakers, television commissioning editors, and independent documentary producers.


Why IDFA

Over the past three years, the CFC has build a strong relationship with the DFA (Documentary Filmmakers Association) which is one of the largest and active industry associations. In the Western Cape there are vibrant and influential documentary

filmmakers present and products which are of great interest to the international market. Most of the local film festivals e.g. Encounters, Tri-Continental, Wild Talk and Cape Winelands festival in Cape Town have a focus on documentaries and draw large audiences comparing to other provinces.


The marketing objectives of the CFC is to:

market the Western Cape Film industry internationally, nationally and locally by showcasing product and talent

facilitate investment, develop the film industry and content in the Western Cape

provide logistical support, guidance and advice to the local and international film industry regarding production in the region.

actively promote transformation and provision of opportunities for persons, especially from previously disadvantaged communities, to partake in the film sector

position Cape Film Commission as the leading film industry agency in the world.


Who, when and where

On behalf of the Western Cape Documentary filmmakers, Jacky Lourens, interim marketing manager at the CFC and Dylan Valley, young black filmmaker and executive member of the DFA attended IDFA in Amsterdam from 11-22 November 2010. Jacky has a huge network of existing contacts in the Netherlands and Dylan had a documentary called Afrikaaps which was at Docs for Sale. His documentary has a particular relevance to the Netherlands as it was a co-production between Plexus Films (South Africa) and Glasshouse (Netherlands).

Jacky and Dylan also met up with Pascal Schmitz (Executive DFA member Jhb) and Rehad Desai (Festival Director: Tri-Continental Festival), in Amsterdam.


How

The CFC and DFA put out a call to Western Cape documentary filmmakers to send a summary of their projects in development and finished products (DVD's) with a biography and contact details. An overwhelming response was received with over 52 projects from about 31 companies. This was compiled in a catalogue and the CFC presented it to interested parties.


The visit focused on showcasing local filmmakers and product, exploring funding, building relations to encourage co-productions and create awareness of the opportunities that the Western Cape is offering to the international market.

Besides setting up appointments, we attended master classes, talks and every day there is a cocktail at Docs for Sale from 5-6pm and Guests meets Guests from 6-7h30 pm. At these functions we met a lot of people and they are very important for networking. It is very easy and accessible to meet people.


Who we met:

DISTRIBUTORS

Off the Fence: Completely commercial documentary only distributor with over 4000 hours in their catalogue. They deal mostly in wildlife and history/mystery, but do also cover the 5 main categories.(History; Nature & Wildlife; People, Places & Culture; Science & Technology;Travel & Adventure;Lifestyle).


They will be coming to South Africa in February to give a workshop on commercial documentary distribution and financing for the international market. They did not even attend IDFA as it is too artistic for them and they mostly do their business at MIPTV and MIPCOM. They have local offices in Cape Town, but only for production services.


(http://www.offthefence.com/content/content.php)

Contact: Bo Stehmeier bo@offthefence.com

In Cape Town: Sherene Kingma sherene@offthefencesa.com Tel: 021 468 8050


Journeyman: They specialise in investigative type stories and do documentaries as well as news inserts, so they take anything from 5 minutes upwards. They like material that is topical and relevant. They usually need material very fast when the story is relevant and delays can mean the story does not make the sale. The owner (not Kimberley) is from SA origin and has a soft spot for SA


(http://www.journeyman.tv/)

Contact: Kimberley Anwen Warner films@journeyman.tv


Spier Films: Based in London and headed up by Mike Auret who used to run the Sithengi Festival. Spier film sell and distribute internationally and produce in South Africa predominantly and have offices in Cape Town. They will be interested to co-produce with South African filmmakers.


(http://www.spierfilms.com/who_we_are.php)

Contact: Michael Auret mike@spierfilms.com


First Hand Films: International sales and service of ambitious and accessible stories: documentaries, series and multiplatform media. First Hand Films acts as executive producer for selected projects and travel to all major festivals.


Www.firsthandfilms.com

Contact: Sara Born info@firsthandfilms.com


Films Transit International: One of the longest running, renowned and respected international sales agency of quality documentaries in Montreal and New York. They specialize in the worldwide release and marketing of high profile, theatrical and television documentaries in two specific genres: Arts, Sports & Culture, and Society, History & Politics.


www.filmstransit.com

Contact: Jan Rofekamp janrofekamp@filmtransit.com


FUNDERS

Hubert Bals Fund: Fiction Feature film and documentaries fund for developing nations that runs under the Film Festival Rotterdam and has a very specific post production fund for feature length and style documentaries. They work closely together with the Jan Vrijman Fund.


Contact: Iwana Chronis hbf@filmfestivalrotterdam.com


Jan Vrijman fund: Dutch fund that runs under IDFA and funds documentaries from developing nations. They did state that they prefer to fund films from countries outside of South Africa on the continent at this stage, as so many successful applications have come from SA in the past and they needed to spread it out a bit.


(http://www.idfa.nl/industry/markets-funding/vrijman-fund.aspx)

Contact Isabel Fernandez janvrijmanfund@idfa.nl


The Netherlands Film Fund: The film fund is the national agency responsible for supporting film production and cinema in the Netherlands. The discussion was about the cultural climate which is changing in The Netherlands and in future it will become more important for them and South Africa to have co-productions for documentaries. Currently there is MOU between The Netherlands and South Africa and we were looking at ways to encourage the establishment of a coproduction treaty between the two countries in order to tap into the different funding models.


FESTIVALS

Movies that Matter: An Amnesty International initiative, exhibits films that draw our attention to human rights situations in which these are at stake. The festival is taking place from 24-30th March 2011 in Den Hague.


www.moviesthatmatterfestival.nl

Contact: Matthea de Jong m.dejong@moviesthatmatter.nl

Taco Ruighaver t.ruighaver@moviesthatmatter.nl


Africa in the Picture Film Festival: Dutch run film festival that specialises in African content and usually discovers a lot of the African talent that lands up screening at IDFA. They have an incredible selection of African titles and filmmakers at their festival.


(http://www.africainthepicture.nl/en/)

Contact: Heidi Lobato hlobato@aitp.nl


Cinekid: is the annual film, television and new media festival for children in Amsterdam. It is visited by more than 40 000 children but also includes a 2 day conference for professionals, a video library and co-production markets.


(http://www.cinekid.nl/)

Contact: Monique Ruinen m.ruined@cinekid.nl


TRAINING

Cinekid: Kids & Docs workshop: As part of the Cinekid Festival, they have developed a Kids & Docs workshop. At the workshop documentary filmmakers develop a film proposal for a 15 minute youth documentary for children aged between 8 and 12. The point of departure is that they choose a subject or theme that interests them, and then search for a child who wants to tell his or her story in the film. This concept could be very interesting for South Africa.


IDFA Academy: is a platform for documentary talents from all over the world. It takes place during IDFA where you can meet professionals willing to share their knowledge in master classes. The IDFAcademy functions as a bridge between film school training and practice.


(http://www.idfa.nl/industry/training-education/idfacademy.aspx)

Contact: Meike Statema meike@idfa.nl


Binger Doc Lab: This programme in Amsterdam offers talented documentary filmmakers coaching from fine-tuning the initial idea, through narrative development, the actual shooting, to the editing of their film and on towards festival platforming, marketing and release.


www.binger.nl

Contact: Esther van Driessum esther@binger.nl


Berlinale Talent campus: Monica Rorvik from Durban International Film Festival already has an existing relationship with the Berlinale Talent Campus. South African newcomers can apply to attend the campus in Durban and from there they will make a selection to attend the international campus in Berlin.


www.berlinale-talentcampus.de

Contact: Christine Trostrum troestrum@berlinale.de


DOCUMENTARY ASSOCIATION

DPN: Documentary Producers Network

We attended the launch of the documentary filmmakers association in The Netherlands and it was interesting to have a dialogue with them as we have completely different challenges. Their main issues of discussion was around the relationship between producers and directors. Apparently it seems that well-established writers/directors don't necessarily want to work with producers, however the funding bodies insists that you work with a producer to produce the films. They only had a small membership of around 30 people, but most of the producers are all established filmmakers.


INDEPENDENT FILMS AND FILMMAKERS

In between all the meetings and functions we watched several international documentaries of high quality and met with filmmakers afterwards. Filmmakers from other countries asked our advice on filming in South Africa and certain African stories that they have in development.


PEOPLE TO PEOPLE CONFERENCE

The People to People Documentary Conference is the biggest event of its kind in the Southern African region and is an invaluable opportunity for its documentary community to become active members of the global community. It is at IDFA that discussions were held to cement the content and participation for the conference that will take place in

Johannesburg in September 2011 and hopefully in Cape Town in 2013.


REMARKS AND SUGGESTIONS:

Although it was great to have so many projects represented from the Western Cape, it was very difficult to market an individual project. With the result that we kept the conversations general with the focus on what the Western Cape and South Africa has to offer from location, product to talent etc.


We felt that there is a definite need for South Africa to be represented as a group in future. Other countries like Chile and the Norwegian countries attended in a delegation of about 20-30 people and they have beautiful printed catalogues with their talent and products. For next year, the DFA in collaboration with the CFC should coordinate a delegation of

documentary filmmakers to attend IDFA possibly with the assistance from the DTI. However, in preparation we need to start the call for projects sooner, possibly around the Durban Film Festival and the People to People Conference in September next year. This will give us ample of time to ensure that we have quality projects for the international market. It is vital for documentary filmmakers to experience an international market such as IDFA and therefore we would also encourage young filmmakers to apply for the IDFAcademy.


The meeting with the distributor, Off the Fence went very well with the result that they have agreed to present a workshop in Johannesburg and Cape Town in February next year. This will assist documentary filmmakers hugely to get a better understanding of the international market, the business of distribution and the packaging of films.


We've noticed that there are still many foreign filmmakers making films about South Africa and Africa with international funding, in particular the wildlife arena and series. These documentaries are commercial and we as South Africans should be making them. In South Africa we can produce films with lower budgets and with the DTI rebate incentive, we can deliver and offer great value to the international industry. Instead of foreigners making films in South Africa and retaining the rights, we should offer co-productions in order to benefit from their incentives and exploitations of rights. The CFC and DFA, along with other associations should lobby the NFVF to follow-up on the MOU between South Africa and The Netherlands, so that we can have an official co- production treaty between the countries. This will enable both countries to tap into greater funding and incentives.


The IDFA industry and programme guide which contains the contact details and a picture

of every single person that attended, plus the catalogue of films are available at the CFC

offices for perusal to any interested filmmakers.


For more information

Contact

Jacky Lourens

083 485 6368

DFA Member David Forbes Looking for Films to Distribute

David Forbes of Shadow Films is calling for independent films. Set up as an
international Sales Agent for independent South African and African
filmmakers, Forbes offers many advantages over the use of agents and
distributors based in Europe or North America.

As a filmmaker himself, he understands the need to recoup money early to
launch the next project, no entry costs, his commission and costs are lower,
and if you need to break his legs, it's only a trip to Jozi, not to London.

Films of any length and age are welcome, higher quality and recent
completion preferred. As he says: "Every film has a home." His job in the
global markets (and he has been going since 2003) is to find that home for
your film. Contact him now on david@shadowfilms.co.za or +27 82 450 8003
as the 2011 catalogue is being prepared

08 December 2010

SABc to have New Board by end of January 2011
















The SABC is set to have a new reconstituted board by the end of next month if President Jacob Zuma gives the green light for appointments.

Calls for nominations for four new board members closed yesterday afternoon, and if all goes according to schedule, the board will have the vacant positions filled.

Parliament's communications portfolio committee is steering the appointment process and its chairman Eric Kholweni said that by 4pm yesterday about 90 nominations forms had been sent to his office.

"We will have the final number of nominations tomorrow morning [today] and we will not be extending the deadline," said Kholweni.

To read the rest of the article, click here.

TRC Multimedia Report

The South African History Archive (SAHA) is proud to announce the launch of the SAHA / SABC Truth Commission Special Report Multimedia Product (see invitation below), featuring the Truth Commission Special Report television series, which has been brought out of the archives and repackaged as an interactive product to make the work of the TRC more accessible. The series, which documented the testimonies being heard at TRC hearings across South Africa, provided context, perspective and analysis of what emerged during these proceedings and serve as a powerful window into the conflicts of the past and ongoing challenges for reconciliation in South Africa. The product is aimed at supporting history, heritage and reconciliation education, outreach initiatives, as well as the emerging field of transitional justice, in the wake of the Truth and Reconciliation Commission (TRC).


Thanks to funding received from the Charles Stewart Mott Foundation, SAHA has a small number of the product available for distribution free of charge to South African university libraries and non-profit organisations working in the transitional justice field. If you would like to request a copy of the product for your university library or for your organisation, please email info@saha.org.za with the relevant contact details, and information on how the product would be used to support education and outreach at your organisation.