The DFA was established in 2007 to promote and protect the interests of doc filmmakers in South Africa. To contact the DFA, please use the contact form: here . The DFA website is at: www.docfilmsa.com Membership applications can be made through the website here.

12 April 2011

Visions du Reel Online Specials

Dear Friends,

We would like to inform you that from April 9 to April 17 we are offering inspiring interviews with directors attending Visions du Réel Nyon and having their films premiered there, as well as 15 films from the First Steps section. Those will be available online for free exclusively right after their cinema screenings in Nyon.

List of the interviews already online:
INTERVIEW - Matthias van Baaren, the director of Die Falten des Königs
Analysis of the complexities of human language within the smallest possible space: rationally positioned on an empty stage, two interpreters in a cabin translate assertions regarding transfer processes from English into German.

INTERVIEW - Reyan Tuvi, the director of Ofsayt
Taju and Rachid are two young Africans who arrived in Turkey as illegal immigrants in the hope of making it as football players.

Interview - Andres Rump, the director of Scheich Ibrahim, Bruder Jihad
Is a spiritual life possible in a world obsessed with material values?

Interview - Frédérique Pollet Rouyer, director of Né sous Z
Indochina 1954. A moving film on a tragic and little known episode of the colonial period.

Interview - Karsten Krause and Philip Widmann, directors of Die Frau des Fotografen
During more than forty years, Gerti Gerbert was photographed by her husband Eugen. Based on the Gerberts’ photographic archive, interviews with Gerti and recordings of Eugen, the film explores the question of what remains of life and love in the end.

Interview - Peter Levin, the director of Sonor
A creative encounter between a film composer and a mute ballet dancer

Interview - Thomas Heise, director of Sonnensystem
Life in the Kolla community of Tinkunaku.

Interviews to be found here.

Best regards,

Marta Lamperova
DocAllianceFilms

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